Our Delight represents the first pairing of these two giants of Jazz, saxophonist James Moody and pianist Hank Jones in a performance with a single purpose, to highlight music of Tadd Dameron and Dizzy Gillespie. Gillespie had played mentor to Moody, providing a jazz education that gives the saxophonist a unique perspective of the trumpeters music.
Moody and Jones sound amazing, and there is little evidence that the advance of time has eroded either man’s skills.
Just listen to Moody’s sax solos on the standard, “Body and Soul,” or “Soul Trane.” Both speak to his history and don’t disappoint. Jones is equally impressive complementing Moody’s strong presence while making an occasional statement of his own. Note is his work on “Con Alma” and “Birk’s Works,” a Dizzy Gillespie original.
Rounding out The Quartet are bassist Todd Coolman and drummer Adam Nussbaum, both accomplished in their own right.
Our Delight is well worth the listen and makes for a fine collection of timeless jazz.
iporecordings.com
This recording of Roger Kellaway and quintet was made live over four nights at The Jazz Standard in New York, Kellaway’s drummer-less band approximates Nat King Cole’s piano, bass, guitar trios of the 1960s. Kellaway is accompanied by guitarist Russell Malone and bassist Jay Leonhart, both veterans of the New York City jazz scene. Add vibraphonist Stefon Harris to the mix and the core trio becomes a facile swinging quartet. Cellist Borislav Strulev also shows up with a spotlight on the sole Kellaway composition of the set “All My Life.”
The two discs contain 13 tracks, totaling about two hours of solid, mostly traditional jazz, with a number of familiar standards. One of the highlights is “Cottontail,” which gives Kellaway the opportunity to pay tribute to the Duke, while also showcasing Harris on vibes and Malone’s guitar play.
“It was stupendous. Everybody in the band was smoking.” – Terry Teachout, The Wall Street Journal
An outstanding two-CD collection that you shouldn’t miss out on.
rogerkellaway.com
Born in Brasília, Brazil in 1971, Leonardo E.M. Cioglia studied music from an early age and picked up the acoustic bass around the age of sixteen. Just two years later, he won a scholarship to the prestigious Berklee College of Music in Boston and graduated four years later with a degree in Professional Music. He later picked up a Masters Degree in Visual and Media Arts from Emerson College.
Cioglia has enlisted some of the finest jazz musicians of his generation including saxophonist John Ellis, vibist Stefon Harris, guitarist Mike Moreno, pianist Aaron Goldberg and drummer Antonio Sanchez to bring to life his debut offering Contos. Fusing the traditional Brazilian styles of his home country with the best of modern American Jazz Cioglia has given the listener not only a pleasing listening experience, but an engaging example of great interplay between musicians.
Cioglia has written all 10 tracks of Contos, and then had the forsight to allow each sideman to bring his best to each individual track. Be it Moreno’s flowing single lines, the rim shots of Sanchez, or Goldberg on keys, this is one definitly worth checking out.
Check out leonardocioglia.com
Jazz guitarist and educator Jimmy Bruno has delivered an intimate recording from his basement studio in Philadelphia. With Maplewood Avenue we find Bruno in a non-traditional trio format consisting of guitar (Bruno), vibes (Tony Miceli) and bass (Jeff Pedraz). It’s a combo allowing for plenty of space and room for the performers to stretch… and they take full advantage.
To produce the missing percussive sound…
“Jeff was asked to exaggerate the percussive elements of the bass, a style called “slap bass”. The result is a sound that plays so well you don’t realize you’re missing the drums.
There are nine originals and Bruno and friends deliver an excellent light warm jazz performance that delivers on Bruno’s desire to capture “friends getting together to make music for themselves”.
Standouts include Maplewood Avenue Upstairs for Coffee and East Street Bossa showcasing tasteful solos and interplay.
Check out jimmybruno.com
DMBQ Live is the first recording from the Davidson/Murley/Braid Quintet (DMBQ). This collaboration between Juno Award winners Mike Murley (saxophone) and David Braid (piano), and emerging artist Tara Davidson (saxophone) showcases world-class improvisation and great songwriting. Recorded at The Western Front in Vancouver, this recording captures a fantastic performance full of spontaneity, interplay and a simple celebration of the music. Truly a treat to listen to.
Stand out track include Davidson’s Reason Season Lifetime and Braid’s Say a silent prayer, and The call.
Completing the quintet is the dynamic rhythm section of Jim Vivian (bass) and New Yorker Ian Froman (drums).
Make sure you catch them June 27th at The Rex, or 29th at Nathan Phillips Square as part of the Toronto Jazz Festival.
taradavidson.ca
mikemurley.com
davidbraid.com
The Piers Lawrence Quartet’s debut album “Stolen Momentsâ€, is the culmination of a long time dream of New York native and jazz guitarist Piers Lawrence. A self published recording on his own label (Jazznet Media), Lawrence is also producer and host of “Manhattan Jazz,†an internet radio show on www.tribecaradio.net.
Stolen Moments includes three original tunes but starts off with the boppin’ Sonny Rollins score Pent-Up House. Lawrence then takes us through Samba Christina, and into Stolen Moments. The band starts to really swing on Charlie Parker’s standard Donna Lee, and hums along through Lawrence’s Dimanche,†before ending on John Pastorius’s Reza.
This is a straight up jazz record that is sure to entertain and engage it’s listener.
His quartet is comprised of pianist Chuk Fowler, bassist, Jim Hankins and Sir Earl Grice manning the drums.
pierslawrence.com