Monthly Archive for October, 2006Page 3 of 4

Live Jazz Thursday

Whoowa! Thursday again already.

Tonight at the Red guitar you can catch Marilyn Lerner at 7pm followed by the Mirobolus Trio. Friday has the triple header at the guitar with Kyle Bruckmann’s WRACK from 6-8 pm, the Corry Sobol Group from 8pm, and then Rich Brown’s Rinsethealgorithm at 10:15pm.

This Saturday catch the Mike Murley Quartet at the Pilot from
3:30 – 6:30pm, and then come back Sunday for the Tara Davidson Quartet.

Tonight at the Rex the Mike Allen Quartet is in at 6pm for the after work crowd. Friday it’s the Artie Roth Trio followed at 9:30pm by the Tara Davidson Quintet for there CD Release.

Also tonight, the Paula Shear Jazz Quartet is in at the Dominion on Queen at 9pm.

Cheers!

RIP – drummer Bernard Primeau

Renowned Canadian jazz drummer Bernie Primeau died of cancer Monday at St. Luc Hospital in his native Montreal. He was 67. Primeau’s death occurred the day before he was to be honoured at the launch of his 11th album at the Salles du Gesù. He had described his latest effort as the album of his career and it will be released as planned. It had already been announced he would not attend the launch due to his health. Best known for his years in the 80′s with pianist Oscar Peterson and bassist Charlie Biddle, Primeau began his professional musical career in 1956 doing drum rolls at a Montreal strip club. He went on to become one of Canada’s most renowned jazz musicians.

Get the full story here.

A Tribute to the Flute

This Monday October 16 8PM JazzFM91 presents as part of there Sound of Jazz Concert Series, A Tribute to the Flute featuring master flautists Bill McBirnie, Colleen Allen, Alex Dean and Vern Dorge at The Old Mill Inn.

Tickets for the event are $25 for adults, $23 for students and JAZZ.FM91 members.
Get your tickets here.

My Favorite Things

Hope all of you in Canada had a good Thanksgiving weekend. Take it away Mr. Neff over at My Favorite Things.

Stablemates – Marcus Printup – Unveiled
Centerpiece – Roberta Gambarini – Easy To Love
Soulful Mister Timmons – Art Blakey & The Jazz Messengers – Album of the Year
Perdido – Art Tatum – Pablo Group Masterpieces
Blues For Junior – Ray Brown – Ray Brown, Monty Alexander, Russell Malone
Try Harder – Chris Walden Big Band – No Bounds
Ruby My Dear – Thelonious Monk Septet – Monk’s Music
Ask Me Now – Thelonious Monk – Solo Monk
Don’t Blame Me – Thelonious Monk – Criss-Cross
Round Midnight – Walter Davis, Jr. – In Walked Thelonious

Listen to it here.
Enjoy!

JazzTV – Thelonious Monk

Thelonious Monk – Epistrophy – Paris, 1966

Live Jazz Thursday

Is it Thursday already?

Tonight at the Red Guitar it’s Laura Hubert & Peter Hill at 9:30pm. Friday and Saturday it’s the The Dave Young Triowho is not to be missed.

Also tonight, the David French Quartet is in at The Rex. After work on Friday you can catch the Artie Roth Trio followed by the Marilyn Lerner Trio at 9:30pm. Finally, don’t miss the Warren Commission Saturday an the Don Scott Quartet Sunday.

The Pat Labarbera Quartet is in at The Piolt on Saturday afternoon between 3:30 – 6:30PM, with Kollage holding house Sunday afternoon.

At the Dominion on Queen tonight you can catch the Brian Rose Little Big Band, Friday it’s the Paul DeLong Combo and Saturday from 4 to 7 pm it Liz Tansey followed by the Norm M. Villeneuve Jazz Trio Sunday.

Cheers!
………………………………………………………………………………………………………

Music and the Creative Spirit

Music and the Creative Spirit:
Innovators in Jazz, Improvisation and the Avant Garde.
Author: Lloyd Peterson
Publisher: Scarecrow Press

In his new book ‘Music and the Creative Spirit’, Lloyd Peterson has taken on an ambitious task. Not only has he given a voice to some of today’s most cutting-edge jazz musicians. Peterson has set out to explore the musician’s creative spirit with the hope of uncovering a common thread among each and every one of the artists.

The result is a compelling book that searches for that consistent creative spark which exists despite the differences in each artist’s relation to their music and their creative process.

Peterson begins by piecing together a collection of personal interviews with the “who’s who” of improvisational jazz. He carefully fashions his questions to shed light on the uniquely individual and creative approaches of artists like Metheny, Dave Holland, Bill Frisell, Fred Frith, Brad Mehldau, Marilyn Crispell, Myra Melford, Evan Parker and John Zorn.

Every time I try to play a note, I just can’t quite seem to get it. I move closer but can never really get it and it’s a constant struggle all of the time. But music has always felt like that. I used to think that there would be a time when it would just become good or that everything would feel wonderful all the time. But that’s not in the nature and there’s always this infinite way to go. But if there weren’t, there wouldn’t be any reason to play anymore. It would be boring. But it can also be frustrating, and it took me awhile to learn what that feeling was. It would seem that it could kind of flip people out to where they would quit playing and never really get there. - Bill Frisell

Unafraid to explore dinner topics, Peterson uses politics, cultural influences, work, society and current events to engage the artists and get them to articulate their unique approach to improvisation and composition.

Education and social services are being cut which are needed to keep ourculture alive, vibrant, and diversified. Consequently, it’s becoming more monochromatic and one-sided rather than the rich mosaic of diversity which this country has always been about with all the people that live in it. - Jack DeJohnette

This book has gone along way to defining a genre that to date has remained indefinable. Within all of the differences, Peterson has succeeded in finding a consistent passion for music, a ferocious work ethic, and a need to explore and evolve.

In his introduction Peterson states that the book was born out of “frustration that some of the most creative and innovative work is not accorded due respect and appreciation in its own time.” This book goes along way to opening up the door for people to better understand the artists, and therefore, to hopefully better understand the music and develop a deeper appreciation from some of the most brilliant musicians creating today.


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